The Strat is really the Pink guitar's replacement. The Pink guitar's neck was replaced with a Hoeg neck. Hoeg guitar necks are built like the Modulus Genesis necks. The Pink guitars neck was painted all black so you couldn't really tell that it was replaced except there was no Modulus logo on the headstock. The Pink guitar was so butchered the bridge was about to fly out of it and there was hardly anything left in the pickup cavity because of all the different combination of pickups that were used in that guitar. Anyway, that's why the Hoeg Strat was built.
Yes, the Blue guitar is nice. Again, with the graphite in the neck that baby stays in tune nicely. If you notice in the Red Rocks pic that the middle pickup on the guitar is facing towards the neck. I asked Rich about it and he was like, shit! Well, he's playing it
I don't know how much difference it makes facing that way?
In regards to Bob in the 80's. (and this has been said many time) Brent really suffocated Bobby's space. In the 70's there was all that room with Keith on piano that let bob just go off on his instrument and be very creative. That time period is definitely why I like the Bobby roll. Blackknifes in general are pretty sterile guitars but they're great for cutting through and making a presence. I think Bobby's playing suffered greatly because of Brent. Now that Ratdog is over and the new band is more like the Grateful Dead. I really think Bobby has stepped it up and is back to exploring.
Have you listened to Bob demonstrate TRI's studio how he can get the room to sound like a stadium or a hall when he hits the sticks against his hand? There's this incredible echo/feedback when he does it. I think that bleeds through to the instruments which produces kind of a unique sound that you may be hearing?
"Without love in the dream
it will never come true"