Never fooled around with a Flint, but a friend of mine has a Blue Sky, which sounds awesome. Looking at the website and photos the Blue Sky gives you a lot more options on the reverb side (three basic types of reverb, three mode options, and more tweaks available). That all adds up to what I believe would be a lot more capabilities to do big, ambient types of reverb. The Flint looks like its set is more the standard spring, plate, hall with some ability to tweak.
If I were to criticize the Blue Sky, the main things are that it might give you too many options, that it can sound a little too pristine...and that it is expensive. It's the best sounding reverb that I've personally used, but I think that it could be a better studio tool than used live.
If I were to criticize the Blue Sky, the main things are that it might give you too many options, that it can sound a little too pristine...and that it is expensive. It's the best sounding reverb that I've personally used, but I think that it could be a better studio tool than used live.
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