#7707  by BlobWeird
 
Can someone please help me out with figurin out the solo for a particular peggyo from 12/27/77 at winterland please...its one of my favorite garcia solos but its a little ahead of my time when it comes to hearin it out. So please help!

 #7714  by Crazy 9.5 Fingers
 
great solo there btw. Peggy-O solo can be entirely played in A major pentatonic which has the same notes as F# minor pentatonic. A and F# minor are the two prominent chords of the song's verses, which is what Jerry solos over. If you are cool with your 7 tone scales, then you can use A Ionian, and F# Aeolian. They contain the same tones but add D (the 4th of A) and G# (the Major 7th of A). Jerry works it kind of like he works Me and My Uncle, emphasizing the mood of each chord as he runs through the same scale. ( In that case G major pentatonic and E minor pent.) What makes Jerry Jerry in my opinion is his timing and his passing tones, he just always seems to tell an amazing, elaborate story over the simplest of two chords. WHen he solos over verses, he starts with the vocal melody, then builds and builds on it. I could go on, but hopefully that can get you going.

 #7722  by BlobWeird
 
Hey crazyfingers thanks for trying but I know the scales he uses. But ive tried to figure it out by just writin down note for note but there are some parts that it is just to quick or just a slide that i cant comprehend. So if someone good out there that can prolly figure this out in no time please help.

 #7738  by winston
 
Hey BlobWeird,

Remember me from the "Exemplary Solos Needed for Independent Study"?

http://community.rukind.org/viewtopic.p ... highlight=

Well, you recommended Peggy-O 12/27/1977, and I took your recommendation, and I have the first two stanzas fully transcribed, hot off the presses for you! Just send me your e-mail in a PM and I'll shoot them off to you. (Please specify PDF, PowerTab, or text.)

Winston

 #7739  by phpbb
 
winston -

I am sure that everyone would be interested in seeing that. Would it be possible to post that to the forums?

 #7743  by Cosmic Jimmy
 
id also love to see that transcription of the peggy o solo good idea to put it up in the forum.

 #7747  by steve
 
YES!!

 #7749  by BlobWeird
 
- I don't really know how to notate bends. You'll have to listen and
decide.
- Not all of the fingerings are necessarily accurate. In particular,
the
highest notes on Stanza I are transcribed for acoustic guitar; they
should be played on the B string but I put them on the E string.
- Hammer-ons and pull-offs are not necessarily notated. They are
difficult to hear.

Other than that - jam on!

Winston


#----------------------------------PLEASE
NOTE---------------------------------#
#This file is the author's own work and represents their interpretation
of the #
#song. You may only use this file for private study, scholarship, or
research. #
#------------------------------------------------------------------------------##

PEGGY-O, 1ST STANZA OF SOLO
As recorded by Jerry Garcia, 12/27/1977

Music by Grateful Dead
Transcribed by Winston Close

Gtr I (E A D G B E) - 'Untitled'

A D
4/4
Gtr I
H E E E E H E E E E E E H E E
|-----------------|-9-------------9-|------------------|
|-----------10-12-|------12-10-12---|-12-10------------|
|------9-11-------|-----------------|-------11----9-11-|
|-----------------|-----------------|------------------|
|-----------------|-----------------|------------------|
|-----------------|-----------------|------------------|


A
E E E E E E E E E E E E E E E E
|-------9-12-9s7------|----------------------|
|-10-12----------10-7-|---10-----------------|
|---------------------|------11-9----9-------|
|---------------------|-----------11---10-11-|
|---------------------|----------------------|
|---------------------|----------------------|


Q. E E E E E E E E E E E Q
|-------------------|--------------------|
|-------------------|----------------10--|
|-9-----------------|------9----9-11-----|
|------10p9---------|-9-11---11----------|
|-----------12-9-12-|--------------------|
|-------------------|--------------------|


F#m C#m
E E H Q E E E E H +H. Q
|----------------|---------12-12----|-(12)------12----|
|------------10--|-12s14------------|-----------------|
|-11-9-11--------|------------------|-----------------|
|----------------|------------------|-----------------|
|----------------|------------------|-----------------|
|----------------|------------------|-----------------|


D A
H E E E E E E E E Q Q
|-14------17-15pb16r14-|-12-14-12----12------|
|----------------------|----------14-----14--|
|----------------------|---------------------|
|----------------------|---------------------|
|----------------------|---------------------|
|----------------------|---------------------|


A/G# F#m
E E E E Q E E E E E E E E Q
|-12-14-12-------------|-----------------------|
|----------14----14-12-|-10-12-10----10--------|
|----------------------|----------11----11-9---|
|----------------------|-----------------------|
|----------------------|-----------------------|
|----------------------|-----------------------|


A
|-3--|
E E Q E E E E E Q. E E E Q
|----------------------|-----------------|
|----------------------|-----------------|
|-9--------------------|-----------9-11--|
|---10-11--11p10p9s7-9-|-7----9s11-------|
|----------------------|-----------------|
|----------------------|-----------------|


D
|--3--|
E E E E Q Q E S S S +Q E E Q
|------------------|-------------------------|
|------------------|-------------------------|
|------------------|---9-10-11-(11)--9-------|
|-11-9----------9--|-------------------11-9--|
|------12-9-12-----|-------------------------|
|------------------|-------------------------|


A D A
Q H E E H. Q E E Q E E Q Q H.
|-----------------|-9-----------|------------------|-----------*|
|-----12----10-12-|---------10--|------------------|-----------*|
|-----------------|-------------|-11-9-------------|-----------*|
|-----------------|-------------|------11--9-------|-----------*|
|-12--------------|-------------|------------12-9--|-12--------*|
|-----------------|-------------|------------------|-----------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X -
64th;
a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number
it represents the
duration for. Duration letters with no fret number below them
represent
rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to
rest for. Low
melody durations appear below the staff

Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release
immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash

Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing
8ths, s16 = swing 16ths


***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen -
http://powertab.guitarnetwork.org *
***************************************************************************************

#----------------------------------PLEASE
NOTE---------------------------------#
#This file is the author's own work and represents their interpretation
of the #
#song. You may only use this file for private study, scholarship, or
research. #
#------------------------------------------------------------------------------##

PEGGY-O, 2ND STANZA OF SOLO
As recorded by Jerry Garcia, 12/27/1977

Music by Grateful Dead
Transcribed by Winston Close

Gtr I (E A D G B E) - 'Untitled'

A D
4/4
Gtr I
Q Q Q Q H E E Q H. Q
|-------------|-------------|------------|
|-------------|-------------|------------|
|-------------|-------------|------------|
|----------6--|-7------9-7--|------------|
|----7--9-----|-------------|-9-------7--|
|-------------|-------------|------------|


A
E E Q E E E E E E +Q E E Q
|----------------|-----------------------|
|----------------|-----10-(10)-----------|
|----------------|--------------11-9-----|
|--------7---7-9-|-/11---------------11--|
|---9------9-----|-----------------------|
|----------------|-----------------------|


A/G# F#m
E E E E Q Q Q Q E E Q H E E Q
|-------------------|-----------------|---------------|
|-------------------|-----------------|---------------|
|-------------------|------9--9-11-9--|-------9----9--|
|-\10-9----------9--|-/11-------------|-11------11----|
|-------12-9-12-----|-----------------|---------------|
|-------------------|-----------------|---------------|


C#m
Q E E H +Q E E E E Q
|----------------|------------------------|
|----------------|-------12----12-14------|
|-9--11s13-13----|-(13)-----13------------|
|----------------|------------------------|
|----------------|------------------------|
|----------------|------------------------|


D A
E E Q Q Q E E Q Q Q
|-12----12--14--14--|-12-14-12--19--17--|
|----14-------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|


A/G# F#m
E E Q E E E E +H E E E E
|-17-19-21--19s17-14-14-|-(14)------17-14----|
|-----------------------|--------------------|
|-----------------------|--------------------|
|-----------------------|--------------------|
|-----------------------|--------------------|
|-----------------------|--------------------|


A
E E E E Q Q H +E E Q
|-17-14---------------|------------------|
|-------17-14---------|------------------|
|-------------17--16--|-14----(14)-------|
|---------------------|------------16----|
|---------------------|------------------|
|---------------------|------------------|


D
E E E E E E E E E E E E Q E E
|-------------------------|----------------------|
|-15-14-------14----------|----------------------|
|-------16-14----16-14----|----------------------|
|----------------------16-|---14-----------------|
|-------------------------|--------15s14-----14--|
|-------------------------|---------------17-----|


A D A
H +E E Q Q Q E E E E Q Q Q E E +W
|------------------|--------------------|-------------------|---------*|
|------------------|--------------------|-14----------------|---------*|
|------------------|--------------14-16-|-----16--14--14-14-|-(14)----*|
|------------16----|----14--14-16-------|-------------------|---------*|
|------------------|--------------------|-------------------|---------*|
|-17----(17)-------|--------------------|-------------------|---------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X -
64th;
a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number
it represents the
duration for. Duration letters with no fret number below them
represent
rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to
rest for. Low
melody durations appear below the staff

Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release
immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash

Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing
8ths, s16 = swing 16ths





You might have to copy and paste into wordpad or notepad. But there is winston's first two stanza's of the solo. Sounds right to me so far.