I made a quickie intro to the Greek Modes by request. It's intended for those who know only the major and minor scale and want to learn about the rest of the Greek Modes. It's filmed on a bass but anyone on any instrument should get something out of it.
Here's a companion chart that I typed up that you can print out and follow along. http://www.mediafire.com/?2y0usp8fj5guscd
Intro to the Greek Modes
by Dan Crea (aka Rusty the Scoob)
There are seven different scales that we know of as the Greek Modes, including the familiar Major and Minor scales. They can be looked at in several different ways - I'm going to walk you through them in two different ways:
First - they can be looked at as Modes of one particular scale - in this case modes of C major. A mode of a scale is generally defined as starting and stopping the scale on different scale degrees than the usual tonic. In other words, we'll go through all the modes in the same Key Signature as C Major - no sharps or flats. Those of you following along on keyboard will have an especially easy time - all you have to do is play each scale on the white keys only.
This gives us:
C Major (Ionian): C D E F G A B C
D Dorian: D E F G A B C D
E Phrygian: E F G A B C D E
F Lydian: F G A B C D E F
G Mixolydian: G A B C D E F G
A Minor (Aeolian): A B C D E F G A
B Locrian: B C D E F G A B
They can also be looked at as alterations of a scale built on a given tonic. (a Tonic is just the name we give the note that the scale begins and ends on) In this case I'll use C Major as the starting point again, but this time I'll build the scales all on C as the common tonic.
I'm going to go through them in order from brightest-sounding to darkest-sounding. Each time I will subtract a sharp (#) or add a flat (b) to the key signature.
C Lydian - one sharp: C D E F# G A B C
C Major (Ionian) - no sharps or flats: C D E F G A B C
C Mixolydian - one flat: C D E F G A Bb C
C Dorian - two flats: C D Eb F G A Bb C
C Minor (Aeolian) - three flats: C D Eb F G Ab Bb C
C Phrygian - four flats: C Db Eb F G Ab Bb C
C Locrian - five flats: C Db Eb F Gb Ab Bb C
If you play through these, you'll see that they sound increasingly dark and evil-sounding.
Have fun!
Here's a companion chart that I typed up that you can print out and follow along. http://www.mediafire.com/?2y0usp8fj5guscd
Intro to the Greek Modes
by Dan Crea (aka Rusty the Scoob)
There are seven different scales that we know of as the Greek Modes, including the familiar Major and Minor scales. They can be looked at in several different ways - I'm going to walk you through them in two different ways:
First - they can be looked at as Modes of one particular scale - in this case modes of C major. A mode of a scale is generally defined as starting and stopping the scale on different scale degrees than the usual tonic. In other words, we'll go through all the modes in the same Key Signature as C Major - no sharps or flats. Those of you following along on keyboard will have an especially easy time - all you have to do is play each scale on the white keys only.
This gives us:
C Major (Ionian): C D E F G A B C
D Dorian: D E F G A B C D
E Phrygian: E F G A B C D E
F Lydian: F G A B C D E F
G Mixolydian: G A B C D E F G
A Minor (Aeolian): A B C D E F G A
B Locrian: B C D E F G A B
They can also be looked at as alterations of a scale built on a given tonic. (a Tonic is just the name we give the note that the scale begins and ends on) In this case I'll use C Major as the starting point again, but this time I'll build the scales all on C as the common tonic.
I'm going to go through them in order from brightest-sounding to darkest-sounding. Each time I will subtract a sharp (#) or add a flat (b) to the key signature.
C Lydian - one sharp: C D E F# G A B C
C Major (Ionian) - no sharps or flats: C D E F G A B C
C Mixolydian - one flat: C D E F G A Bb C
C Dorian - two flats: C D Eb F G A Bb C
C Minor (Aeolian) - three flats: C D Eb F G Ab Bb C
C Phrygian - four flats: C Db Eb F G Ab Bb C
C Locrian - five flats: C Db Eb F Gb Ab Bb C
If you play through these, you'll see that they sound increasingly dark and evil-sounding.
Have fun!