Seth's explanations and illustrations of the importance of phrasing and how the melody is drawn out of the scales and arpeggios built around the chord shapes have helped me begin understanding how to create more artistic and tasteful solos.
Have not seen all of the lessons, but would love some focus on examples of playing "with and against" the established melody. Also, there is some introduction of the concept of creating and building tension harmonically and rhythmically and then the payoff of the release, but would like to see more amplification and examples of this concept.
Maybe I should forget accounting and get into marketing. I feel like a shill, but have been excited and inspired by these lessons. Thanks to Seth.
Have not seen all of the lessons, but would love some focus on examples of playing "with and against" the established melody. Also, there is some introduction of the concept of creating and building tension harmonically and rhythmically and then the payoff of the release, but would like to see more amplification and examples of this concept.
Maybe I should forget accounting and get into marketing. I feel like a shill, but have been excited and inspired by these lessons. Thanks to Seth.